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.22/23 (September-December 1988) (special issue on Ligotti)S.T.Joshi, “Thomas Ligotti: The Escape from Life,” in Joshi’s The Modern Weird Tale (McFarland, 2001)Mark Samuels, “Everything Ends in a Greater Blackness: Some Remarks on the Fiction of Thomas Ligotti,” Wormwood No.1 (2003): 62-68Darrell Schweitzer, ed., The Thomas Ligotti Reader (Wildside Press, 2003)H.P.LOVECRAFTDonald R.Burleson, H.P.Lovecraft: A Critical Study (Greenwood Press, 1983)Peter Cannon, ed., Lovecraft Remembered (Arkham House, 1998)S.T.Joshi, H.P.Lovecraft: A Life (Necronomicon Press, 1996)S.T.Joshi, H.P.Lovecraft: The Decline of the West (Starmont House, 1990)David E.Schultz and S.T.Joshi, ed., An Epicure in the Terrible: A Centennial Anthology of Essays in Honor of H.P.Lovecraft (Fairleigh Dickinson University Press, 1991)RICHARD MATHESONStefan Dziemianowicz, “Horror Begins at Home: Richard Matheson’s Fear of the Familiar,” Studies in Weird Fiction no.14 (Winter 1991): 29-26Mark Rathbun and Graeme Flanagan, Richard Matheson—He Is Legend: An Illustrated Bio-Bibliography (Rathbun, 1984)David Oakes, Science and Destabilization in the Modern American Gothic: Lovecraft, Matheson and King (Greenwood Press, 2000)JOYCE CAROL OATESJoanne V.Creighton, Joyce Carol Oates: Novels of the Middle Years (Twayne, 1992)Brenda Daly, Lavish Self-Divisions: The Novels of Joyce Carol Oates (University Press of Mississippi, 1996)Greg Johnson, Invisible Writer: A Biography of Joyce Carol Oates (Dutton, 1998)Greg Johnson, Joyce Carol Oates: A Study of the Short Fiction (Twayne, 1994)Marilyn C.Wesley, Refusal and Transgression in Joyce Carol Oates’ Fiction (Greenwood Press, 1993)FITZ-JAMES O’BRIENSam Moskowitz, “The Fabulous Fantasist—Fitz-James O’Brien,” in Moskowitz’s Explorers of the Infinite (World Publishing Co., 1963)Francis Wolle, Fitz-James O’Brien: A Literary Bohemian of the Eighteen-Fifties (University of Colorado Press, 1944)NORMAN PARTRIDGES.T.Joshi, Review of The Man with the Barbed-Wire Fists, Weird Tales no.325 (Winter 2001-02): 16-17Simon MacCulloch, Review of The Bars on Satan’s Jailhouse, Necrofile no.18 (Fall 1995): 7-10EDGAR ALLAN POEMichael L.Burduck, Grim Phantasms: Fear in Poe’s Short Fiction (Garland, 1992)Edward H.Davidson, Poe: A Critical Study (Harvard University Press, 1957)David Ketterer, The Rationale of Deception in Poe (Louisiana State University Press, 1979)Kenneth Silverman, Edgar A.Poe: Mournful and Never-Ending Remembrance (HarperCollins, 1991)G.R.Thompson, Poe’s Fiction: Romantic Irony in the Gothic Tales (University of Wisconsin Press, 1973)DAVID J.SCHOWS.T.Joshi, “David J.Schow and Splatterpunk,” in Joshi’s The Evolution of the Weird Tale (Hippocampus Press, 2004)Richard Michael, “Night Bloomer: The Defiant Fiction of David J.Schow,” in Science Fiction and Fantasy Book Review Annual 1991, ed.Robert A.Collins and Rob Latham (Greenwood Press, 1994)CLARK ASHTON SMITHSteve Behrends, Clark Ashton Smith (Starmont House, 1990)Scott Connors, ed., The Freedom of Fantastic Things (Hippocampus Press, 2006)Donald Sidney-Fryer, Emperor of Dreams: A Clark Ashton Smith Bibliography (Donald M.Grant, 1978)Donald Sidney-Fryer, The Last of the Great Romantic Poets (Silver Scarab Press, 1973)KARL EDWARD WAGNERDavid Drake, “A Brief Introduction to Karl Wagner,” Weird Tales no.294 (Fall 1989): 110-12Jo Fletcher, “Darkness Weaves with Many Shades by Karl Edward Wagner,” in Horror: Another 100 Best Books, ed.Stephen Jones and Kim Newman (Carroll & Graf, 2006)Darrell Schweitzer, “Karl Edward Wagner and the Haunted Hills (and Kudzu),” in Discovering Modern Horror Fiction: 1, ed.Darrell Schweitzer (Starmont House, 1985)I am grateful to Stefan Dziemianowicz and Steven J.Mariconda for valuable suggestions regarding the selection of items in this volume.My thanks also to Rusty Burke, Scott Connors, Dennis Etchison, John Haefele, Caitlin R.Kiernan, T.E.D.Klein, and Norman Partridge for supplying texts and other information.WASHINGTON IRVINGWashington Irving was born in New York City in 1783.Generally regarded as the first significant writer in the United States, Irving practiced law until 1803.After a two-year visit to Europe (1804-06) to improve his health, Irving began writing articles and sketches in magazines; his first book, A History of New York (1809), published under the pseudonym Diedrich Knickerbocker, brought him immediate fame.Shortly thereafter, Irving moved to England, where he remained for nearly twenty years.It was there that The Sketch Book of Geoffrey Crayon, Gent.(1820), including such celebrated tales as “Rip Van Winkle” and “The Legend of Sleepy Hollow,” was published.Tales of a Traveller followed in 1824.Financial considerations led him to accept a position at the United States embassy in Madrid, where he wrote several works reflecting his interest in Spain, notably The Legends of the Alhambra (1832).Irving was minister to Spain in 1842-46
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